#The pretenders last of the independents for free

The history of the name is slightly complicated they started out as 'Pretenders', then from 1983-1987 they usually used 'The Pretenders' (but kept the old logo, so when that was used on sleeves and labels instead of text, the 'The' was absent), but afterward they went back to just plain 'Pretenders'. Last of the Independents was the sixth album by rock group The Pretenders, released in 1994 (see 1994 in music ).

The band's Wikipedia article is titled The Pretenders but they use 'Pretenders' throughout.

The 'The' Title Confusion: Just 'Pretenders', but they are often called 'The Pretenders'.

Textless Album Cover: Pretenders II, whose moody cover photo recalls the textless covers of the first two Rolling Stones albums.

#The pretenders last of the independents for free

The lines Millions of kids are looking at you, you say, 'Let them drink soda pop' and Who's got soul? / From the African nation to the Pepsi generation are generally taken to mean that the main target is Michael Jackson, who had a huge deal with Pepsi. Get the Pretenders Setlist of the concert at Rosemont Horizon, Rosemont, IL, USA on Novemfrom the Last Of The Independents Tour and other Pretenders Setlists for free on setlist. The Pretenders: 4:32: 13: Forever Young: The. Vocalist/guitarist Chrissie Hynde, guitarist/keyboardist James Honeyman-Scott, bassist Pete Farndon and. Album GB 1994 on WEA label Rock (Alternative Rock, Blues Rock) Recorded at The Woolhall (Bath) & Sarm Studio West (London) except: 3, 4, 6, 12 recorded at The Townhouse Studio (London), mixed at Mix This (Los Angeles). Take That!: 'How Much Did You Get For Your Soul?' is an open swipe at pop or rock stars who sell out their credibility by letting their music be used for commercial advertising. For over 40 years the discography of The Pretenders, a London, England-based rock band, reflects worldwide charting of 11 studio albums, four compilation albums, one extended play (EP), four live albums, six video albums and 54 singles.

Silly Love Songs: 'Show Me,' 'I'll Stand By You,' 'Talk of the Town,' 'Don't Get Me Wrong'.Shout-Out: 'Louie Louie' is not a cover of the classic Kingsmen song, but contains enough references to it that it almost crosses over into Heavy Meta territory.Hynde, Seymour, Hobson and Chambers would stay together for more than a decade.Can't you tell I'm going home I'm tired as hell Most of the record crackles with the lean power of Learning to Crawl, occasionally stopping for a lushly produced number recalling Get Close. Chrissie Hynde rebounds from the directionless Packed with Last of the Independents, a tough album that proves she can mature without losing her edge. It also helped create the band's most stable lineup. The Pretenders - Last of the Independents. Last of the Independents would be the band's last hit album, reestablishing Hynde as one of the great singers in rock while returning the Pretenders to road prominence. Band: The Pretenders (Hereford, England)Album: Last Of The Independents (November 17, 1987)Genre(s): Rock, New WaveTrack Listing:1. What made it a welcome addition to the Pretenders' catalog was its confident versatility – from the charging psychedelic rockabilly of 'Rebel Rock Me' and howling funk of 'I'm a Mother' to the soulful '977' and heartfelt 'Revolution.' It helps that Hynde was writing about what was most important in her private life at the time, whether it was environmental efforts ('Revolution') or motherhood ('I'm a Mother' and 'Every Mother's Son').

In terms of commercial success, 'Night in My Veins' had nothing on 'I'll Stand by You,' a power ballad smothered in studio excess: Strings! Echo effects! Gospel choir! More, more, more! But even with the production, Chrissie Hynde's emotional performance sits at the center of the song, and no one can match her vulnerability.īut Last of the Independents wasn't interesting simply because of a couple of radio hits. With this sly classic, Hynde sounded like she had rediscovered her sense of purpose. How could she be, with a lead single like 'Night in My Veins'? Everything about it was vintage Pretenders (a guitar-driven, mid-tempo rocker in which Hynde uses her sex appeal to discuss the appeal of sex) yet remained a slick, sharp, modern record primed for the airwaves.